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Messiaen’s Preludes
Olivier Messiaen’s eight Preludes for piano were published in 1929, the year he won the first prize for composition at the Paris Conservatoire. Debussy’s own Preludes were less than twenty years old at the time, and the influence of these
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Forgotten Pianists: Lucette Descaves
Lucette Descaves (1906-1993) was a student of Marguerite Long’s at the Paris Conservatoire, her students, in turn, were equally distinguished, including the young Michel Legrand, and, Jean-Yves Thibaudet, Pascal Rogé, and Katia and Marielle Labèque. After she retired from the
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Choosing Between the Violin and Viola? Why Not Play Both?
I play both violin and viola, and I’d never have it any other way. Yes, remaining proficient on both takes more practice time, and yes, it’s more expensive to pay for upkeep on two instruments and bows…but it’s totally worth
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The Systematic Musician
We are constantly being reminded of the importance of having “goals” in our lives in order to achieve certain things, from getting fit to winning a half-marathon or setting up a business. We believe that having goals motivates us to
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Forgotten Pianists: Gaby Casadesus
French pianist Gaby Casadesus (1901-1999), like her husband, Robert Casadesus, studied at the Paris Conservatoire with Marguerite Long and was awarded the first prize in piano at age 16. Also like her husband, she knew the best composers of the
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Vertical Theatricality
The alpine “Julier Pass” also known as the “Pass dal Güglia” and “Passo del Giulia” is a mountain pass in Switzerland. It connects the Engadin valley with the province of Graubünden, and provides the watershed between the basins of the
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Andrei Gavrilov: “Playing the piano means sharing love”
Andrei Gavrilov was a teenage superstar of the Soviet Union! In 1974, aged 18, he won the prestigious Tchaikovsky piano competition, and in the same year made his triumphant international debut at the Salzburg Festival. A protégé of the extraordinary
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The Perfectionism Trap
“Practise makes perfect” – that oft-quoted phrase beloved of instrumental teachers the world over…. It’s a neat little mantra, but one that can have serious and potentially long-lasting negative effects if taken too literally. Musicians have to practise. Repetitive, committed
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