The first Birmingham International Piano Chamber Music Festival takes place next week, 20th – 23rd November, at the Royal Birmingham Conservatoire. The result of months of planning, incorporating a competition for young chamber ensembles, this promises to be one of

“One reason I love performing non-Western music is because I don’t find non-Western ideas in the music. I find basic human emotions and experiences that I have, I share, and I understand.” That outlook helps Ethan Sperry take on the

There is so much in music that is subjective and open to personal taste and interpretation. In order for us to play convincingly, we have to develop an interpretation that is meaningful TO US vivid in all its details. Unless

Accidents happen. If I trip while carrying my cello I make a split-second decision—save the cello, never mind breaking an arm! Sometimes, no matter what we do, our precious stringed instruments are damaged and we rush, heartbroken, to expert cello

Around the middle of the 19th century, Giuseppe Verdi (1813-1901) commanded the Italian opera scene. As one of the most celebrated composers in history, opera companies from all corners of the globe were asking for new works, or at least

I had just completed my final set of opera scenes for the academic year at the Royal Academy of Music and was absolutely looking forward to visiting Italy for a good long month to be a part of the incredible

On 7 May 1896, Johannes Brahms celebrated his 63rd birthday. His friends had organized a little party, and Brahms announced, “I gave this to myself as a gift today. Yes, to myself! If you read the text, you shall grasp

Tōru Takemitsu was a composer, but he was also a writer on aesthetics and musical theory. His music is delicate and refined, as beautiful as Hokusai print or a carved jade netsuke. Largely self-taught, his music combines elements of Japanese