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Endgames For End Instruments by Leonard Slatkin
In 2014, American conductor, pianist, and composer Leonard Slatkin wrote Endgames, a work that would focus on the End Instruments, the instruments that sit at the ends of their respective sections in the orchestra, the highs and lows of the
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My Favorite Canons and Other Musical Puzzles IV
The invention of the Gutenberg press set in motion a musical and societal revolution. For one, the demand for music as entertainment and as a social activity for educated amateurs increased with the emergence of a bourgeois class. From this
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Should Composers Be Replaced by AI? Will They Be?
Imagine that you’re a composer. You grew up loving music. Maybe in your childhood you listened to works by giants like Mozart, and Beethoven, and Brahms. You spent decades learning an instrument. You attended elite educational institutions for many years,
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On Polymaths
Polymaths are individuals who have mastered more than one discipline. Some of the most extraordinary polymaths have excelled in a wide range of disciplines, such as science, mathematics, philosophy, literature, arts and music. Whether artistic or not, their lives have
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Goossens, Copland and the Common Man
Although his compositions are all but forgotten today, Sir Eugene Goossens (1893-1962) was considered a fresh and highly promising musical voice. At the height of his popularity as a composer in the 1920s and 30s, his music placed on par
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Five of the Most Famous Women Composers of the Classical Era
Think about Classical Era composers and you might think of men in splendid attire wearing white wigs: men like Mozart or Haydn. But you might be surprised by how many classical era composers were actually women! Most historians agree that
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My favorite Canons and Other Musical Puzzles III
This episode of my favorite canons starts with an accidental discovery. In 1975, the Bibliothèque Nationale de France acquired the first edition of the Bach’s Goldberg Variations. It turned out that this particular printed score had originally belonged to Bach
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A Hand in Music Theory
Guido d’Arezzo
The medieval music theorist Guido d’Arezzo (ca. 991–992—after 1033) was a Benedictine monk who made a critical development in the history of music. His music treatise, Micrologus, was one of the most widely available medieval treatises on music. Guido first
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