Cellist Ophélie Gaillard is a marvel. Her many recordings, indicate a versatility that is rare and includes everything from solo Bach on Baroque cello, to Brahms Sonatas, concertos, collaborations with dancers, accordion, bandoneon, and singers, and playing in a tree!

In these times of restricted travel and stringent quarantine, it’s wonderful to have a visiting conductor who’s willing to do a 3-week quarantine as the first step to conducting your local orchestra. Argentinian conductor Mariano Chiacchiarini put himself through quarantine

The prospect of putting on an opera these days has been more than many opera companies can face. The National Kaohsiung Center for the Arts, known as Weiwuying, in Taiwan, however, has been able to forge ahead with getting operas

Tell us a bit about yourself, Peter. I grew up in middle-class north-west Sydney, Australia in the 1960s. I was an anomaly in a non-artistic family. In my teens, I started doing overnight hikes with friends and found taking photographs

It can be hard to describe someone who is a conductor, a pianist, a mentor and a music director. But with so much experience in arts organisations in Australia, most recently as the Artistic Director of the Canberra International Music

When listening to Alicia Crossley play one of her 18 handmade recorders, which I’ve heard her play many times, a listener gets the feeling that the instrument was made for her. In this interview, we get to understand more about

Tell us a bit about yourself, Ariana. I was born in Hamilton, NZ. My mum is musical, a singer and an amazing singing teacher. Dad used to play the diatonic accordion, where each button produces two notes, one when pressing

The German city of Dresden in the late 17th and early 18th centuries was a center for music and the arts. The Elector and ruler of Saxony, Frederick Augustus I, brought together musicians, architects, and painters from all over Europe