About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Feb 10, 2022 Francis Gorgé: The Fine Art of Orchestration
Feb 9, 2022 Following the Master’s Path: A Conversation With the Leopold Auer Society
Feb 7, 2022 Symphony 7, 8 or 9: Schubert’s Great C major
Feb 6, 2022 Monteverdi and Jazz
Feb 5, 2022 The Heart Symbol and Music
Feb 3, 2022 Making Fun of Opera: Victorian Opera Burlesques
Feb 2, 2022 A New Set of Planets
Piano Reflections by Tanya Ekanayaka
Feb 1, 2022 A Galant Orchestra
By Johann Joachim Kändler
Jan 31, 2022 Unfaithful or Worse? Wolf-Ferrari’s Il segreto di Susanna
Jan 30, 2022 Three Minute Symphonies: Milhaud’s Chamber Symphonies