In the course of your instrumental studies or attending concert performances you might have come across works title “Partita.” It is a slippery term, and throughout history it has designated a number of different concepts. At times it was used

Between 1725 and 1731, Johann Sebastian Bach (1685-1750) wrote the last of his keyboard suites. His earlier suites, the six English Suites, BWV 806-811, the six French Suites, BWV 812-817, and the Overture in the French style, BWV 831, culminated

Johann Georg Schübler (1720-1755?) was an engraver and organist, and a private student of J.S. Bach. “He learned the music in Leipzig with the famous Bach,” but Schübler’s name is more notably connected with the publication of a set of

Carl Philipp Emanuel (1714-1788) described his father’s household in Leipzig as a “pigeon coop.” People were constantly swarming in and out all the time, and he told the Bach biographer Forkel, “with his many activities Bach hardly had time for

The English rock band The Beatles, formed in Liverpool in 1960, is widely considered the most influential band of all time. Led by songwriters Lennon and McCartney, the band was part of 1960s counterculture and inspired an international fan frenzy

J.S. Bach: Goldberg Variations (Glenn Gould) We were thinking about Bach’s Goldberg Variations the other evening. Written, as related by Bach’s biographer Johann Forkel, for the ill and often sleepless Count Kaiserling, who wished for some night music that was

Ludwig van Beethoven would have been decidedly unhappy in the 21st Century, I think. He didn’t have the highest opinion of humanity to begin with, and all this social media influencing and posturing would have driven him downright crazy. Yet,

We tend to think of Bach’s Brandenburg Concertos as a unified collection, but, in fact, they’re rather a strange grouping of works that only have the idea of ‘concerto’ as their unifying feature. Bach prepared the six concertos during 1720,