In praise of street pianos
A piano asks to be played and is a wonderful reminder of the nature of play and the pleasure of making music, regardless of genre. Most people passing by a piano can’t help but strike a few notes, improvise a riff, or play a whole piece. A street piano invites us to pause, do something spontaneous, bring pleasure to others and enjoy ourselves.
Street pianos attract players of all ages and abilities – Sir Elton John and the Russian pianist Valentina Lisitsa have both played the street piano at London’s St Pancras Station, amongst countless others. Members of a piano club I’m connected with made a special club trip to play the street piano at St Pancras to perform exam pieces and other repertoire, treating the experience as an important performance opportunity.
For those of us of a very nervous performance disposition, these are GREAT. For attracting more people to music making rather than the commercialised electronic production and marketing the general public THINK is music, even better.
– David, advanced amateur pianist, London
For many people, street pianos offer a special kind of pleasure, an escape from the everyday, a chance share music with others, or simply to practise. Many people, including a number of professional pianists, highlight the usefulness of street pianos for practising while waiting for a train, especially if one doesn’t have access to an acoustic piano at home.
…street pianos are a great way to connect with people who may never have come to a concert before
– Daniel Roberts, concert pianist, Brazil
In London in 2011 the spirit of the street piano as a means of sharing music with others in a public space was invoked during a very special all-day concert organised by a friend of mine to celebrate and commemorate the extraordinary work of Sir Nicholas Winton, a British humanitarian, who organised the rescue of 669 mostly Jewish children, from Czechoslovakia on the eve of the Second World War, in an extraordinary operation later known as the Czech Kindertransport (“children’s transport”). The children he rescued arrived at Liverpool Street station. A grand piano was placed in the main concourse of the station and the day-long concert included performances by British pianists Anthony Hewitt and Viv McLean, and violinist Tamsin Waley-Cohen. As much a celebration of Winton’s remarkable work as the sharing of music, the event proved just how special the street, or public piano can be – because these instruments go right to the heart of making music as a social activity and remind us that music unites and connects people.