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Bernard Herrmann’s Wuthering Heights Suite
Bernard Herrmann (1911–1975) is best known for his film music, particularly for Alfred Hitchcock’s evocative thrillers. His first film score was for Orson Welles’ Citizen Kane (1941) and one of his last was for Martin Scorsese’s Taxi Driver (1976). Before
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George Bridgetower
The Biracial Violinist Who Inspired Beethoven’s Kreutzer Sonata
Beethoven’s Kreutzer Sonata is one of the most famous pieces of violin music ever written – and yet it was named for a violinist who never even played it! Had Beethoven not entered into a feud with George Bridgetower, the
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The Shock of the Not-So-New
George Antheil’s Violin Sonata No. 1
For 21-year-old George Antheil (1900–1959), Europe was going to be his launch on the world. He declared his intention of being an ‘ultramodern pianist composer’ and set out to conquer the world. His first solo recital was in London in
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Four Surviving Pianos Played by the Great Composers
Pianos may be bulky instruments, but their bulkiness belies their true delicacy. From keys to hammers to strings, a single piano consists of hundreds of intricate tiny parts, and honestly, it’s a miracle that any have survived over the centuries.
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A Portrait of the Young Glenn Gould
Glenn Gould’s iconic stature as one of the great if not the greatest pianists has not diminished since he passed in 1982 shortly after his 50th birthday. Many of us know him for his recordings of Bach, especially the Goldberg
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The Lost Now Found
Peter Arnold Heise’s String Quartets
Peter Arnold Heise (1830–1879) was an active composer in mid–19th-century Denmark. A student of A.P. Berggren, who was also the teacher of Niels W. Gade (1817–1890), the leading Danish musician of the day, Heise started his composing career at age
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Jane Stirling: Why Did This Piano Student Pay for Chopin’s Funeral?
Jane Stirling – Frédéric Chopin’s student, patroness, caretaker, manager, and legacy-builder – has always lived in the shadows of her piano teacher. And yet she was an integral part of Chopin’s later life and one of the reasons why his
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The Dwarf of Death
Schubert’s Der Zwerg
Franz Schubert (1797–1828) wrote over 600 vocal works, one of the oddest and yet most powerful of which is a ballad about a Queen, her dwarf, and a fatal encounter. The story opens in the middle of the night: we
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