Telemann: La Musique de Table Telemann: Concerto for 3 Violins in F major, Allegro The most prolific composer of his time, Telemann’s music was a driving force behind the late Baroque and early Classical styles. Considering himself an European, in

Chopin: Mazurkas Chopin: Mazurka op. 17 no. 4 in A minor Wonderful recording by Cédric Tiberghien, to finish the Chopin year “en beauté”.

Simone Kermes – Colori d’Amore Scarlatti: Qui dove… Torbido irato e nero Not to be missed: Simone’s latest album, Colori d’Amore, is a selection of Baroque arias about love, almost all of which are world premiere recordings.

Pergolesi: Stabat Mater Pergolesi: Quis est homo, qui non fleret Stabat Mater by Pergolesi, performed by Akademie für Alte Musik Berlin with soprano Anna Prohaska and mezzo soprano Bernarda Fink. Poignant rendition of “Quis est homo, qui non fleret”. This

Ombra Cara – Opera Arias by George Frideric Handel Agrippina: Aria Bejun Mehta (countertenor), René Jacobs, Freiburger Barockorchester Another outstanding recording by René Jacobs with the American countertenor Bejun Mehta. Agrippina: Aria Voi, che udite il mio lamento, Compatite il

Ernest Chausson Sicilienne from Concert pour piano, violon et quatuor a cordes en re majeur Op. 21

Puer natus est – Tudor Music for Advent and Christmas Plainchant: Puer natus est Young British Early Music vocal ensemble Stile Antico have won numerous prizes and awards since their establishment in 2001. Beautiful rendition of Plainchant (or plainsong) after

Frédéric Chopin Nocturne Op. 9 No. 3 Refined, sensitive and delicate, Pascal Amoyel’s recording of Chopin’s Nocturnes was awarded the Honorable Mentions from the 7th International Record Competition Grand Prix du Disque Frédéric Chopin. An outstanding CD not to be