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‘It’s Too Damn Loud! It’s Too Damn Fast!!’:
Morton Feldman
These words would commonly be heard issuing from the mouth of the composer at a rehearsal for one of his pieces. And if you’ve ever heard the music of Morton Feldman, you’d probably understand why. Feldman’s music is more often
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The number games: chamber music vs orchestral playing
During my time at Cambridge, I was lucky enough to get many opportunities to play in both chamber music and orchestral projects. Now, on the brink of beginning a masters course devoted to orchestral playing, I’ll have a chance to
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Is This How They Turn Out?
From The Mozart Effect to The Cage Effect Perhaps you didn’t realize that if your child or student listens to classical music then they might exhibit some of those character traits! Teachers especially like #13 – The Cage Effect! Does
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Practice makes perfect…but what makes perfect practice?
There’s one word that many musicians fear, a word that strikes terror (or boredom) into their hearts. Of course, I can only be talking about practice. Why do we hate it so much? It’s a necessary part of every musician’s
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Slava
Antonín DvořákCello Concerto in B Minor, Op. 104, B. 191Mstislav RostropovichMoscow Radio Tchaikovsky Symphony Orchestra When I was a student I would often sneak into the Toronto Symphony Orchestra concerts. My father, who was a member of the cello section,
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Music and Religion:
Turning Wine into Blood
Sanctus, Sanctus, SanctusIn Christian liturgy, the prayer of consecration of the bread and wine forms an important part of the Ordinary of the Mass. Theologically speaking, the substance of the bread and wine used in the sacrament of the Eucharist
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The Italian Diva – Cecilia Bartoli
The first time I heard Cecilia Bartoli live was at the opening concert of the Hong Kong Arts Festival in 2011. Appearing on stage like a queen, she dazzled the audience not only with her exquisite singing of arias from
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Ricci Remembered, in Song and Image
A Macau Concert Profiles the Life, Words, and Music of Jesuit Missionary Matteo RicciOn June 26, the American Renaissance music ensemble ¡Sacabuche! came to Macau and joined forces with traditional Chinese musicians, singers, and orators to give musical expression to
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