I have always thought that music was inclusive. If you didn’t like a certain type of music, it was because you didn’t like the style, not what its creator represented to you. But that was not always the case. For

Can you experience cultural enrichment in a virtual world? Another way of looking at this question is if our foremost experience of culture had always been gleaned digitally, would it be a lesser one? COVID-19 has vastly changed our cultural

The internet is full of articles promising to help you learn to play an instrument: – Learn to play in just 4 weeks!– Play piano in 10 easy steps– 5 ways to become a great pianist As one of my

Practicing is the musician’s day-to-day work and when done well it is undertaken with the focus and concentration of an elite athlete to achieve the necessary technical and artistic facility to perform complex repertoire. As a child, learning the piano

Music is a universal language and Italian is, largely, the language of music itself. It’s everywhere, nestled in amidst the dots and squiggles of the score, directing the musicians to play loudly (forte), or quietly (piano), or more quickly (accelerando)

A new music exam syllabus is always eagerly anticipated by teachers and there’s a great deal of pleasure and excitement in browsing the new selection of music and considering which pieces will appeal to our students and which ones we

A reflection on the obsession with rankings I have to apologise that this is a clickbait. This is not going to be a list of top 10 pianists or anything like that. But before you close this tab, I would

A Response to Frances Wilson — Why Sir András Schiff is Not All Wrong about Modern Audience Previously, our contributor Frances has written an articulate article in response to András Schiff’s comment about modern audiences, which I attach here again