On This Day

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Bruno Walter at 150 (Born on September 15, 1876)
A Conductor in Three Portraits
One of the greatest conductors of the 20th century, Bruno Walter [Schlesinger] detested routine performances and always strove to present a work as if it were receiving its world premiere. He held major positions in Europe and the United States,
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Nobuyuki Tsujii (Born on September 13, 1988)
Music Sheets for the Ears
In the vast universe of music competitions, the Van Cliburn International Piano Competition, held once every four years, is among the most prestigious events of its kind. Winners and runners-up receive substantial cash prizes, plus concert tours at world-famous venues.
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Rameau Opens the Curtain (Died on September 12, 1764)
10 Most Beautiful Overtures
In all my years of learning the piano and going to the opera as a young student, I never came across Jean-Philippe Rameau‘s music. This seems surprising, since Rameau made important contributions to keyboard music, and his collection of solo
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François Couperin (Died on September 11, 1733)
The Art of Touch
Over 300 years ago, in 1716, the great French harpsichordist François Couperin published his famous treatise L’Art de Toucher le Clavecin (The Art of Playing the Harpsichord). It is, by all accounts, the main Baroque text on playing the instrument,
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Henry Purcell’s Forgotten Future
At the age of only 20, Henry Purcell composed a collection of ensemble pieces titled Fantazias. They represent, according to Mark Steinberg, the “final hurrah for consort music, ensembles no longer fashionable at the time of these works.” Written during
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Pierre-Laurent Aimard (Born on September 9, 1957) and György Ligeti
Making the Impossible Sound Easy
The exceptional French pianist Pierre-Laurent Aimard is frequently described as a brilliant musician and an extraordinary visionary. And while he is a celebrated interpreter of the standard repertoire, he is also a key figure in contemporary music. Aimard entered the
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The Devil and Kate
Dvořák’s Happy Ending (Born on September 8, 1841)
For today’s brain teaser, let’s turn to Antonín Dvořák. What opera of his features a happy ending but is entirely missing the traditional love interest? The answer is The Devil and Kate, a comic opera to a libretto by Adolf
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Jean-Yves Thibaudet (Born on September 7, 1961)
When Hollywood Calls
When Hollywood is looking for star power in terms of piano playing, they call Jean-Yves Thibaudet. His renowned poetic interpretation and technical brilliance, paired with personal charm and cinematic flair, have made him one of the premier pianists for the
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