December, 2018

54 Posts
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Mefistofele at the mighty Met
A standard evening at New York’s Metropolitan Opera is a healthy reminder why this opera house is casually referred to as the “Mighty Met”. The reprise of this Mefistofele production by Robert Carsen, last seen nearly twenty years ago, was
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Crème de la Crème Soloists
The Schubert Club International Artist Series
Major international cities are not the only places to hear high-quality music and stellar artists. The Schubert Club International Artist Series features the most thrilling artists on the planet, here in Saint Paul, Minnesota. For 136 years the Schubert Club
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BROUWER, L: Book of Signs (The) / BELLINATI, P.: Concerto Caboclo
The Book of Signs II. Variaciones sobre un tema sentimental From BROUWER, L: Book of Signs (The) / BELLINATI, P.: Concerto Caboclo (2018) Released by Naxos Brouwer: The Book of Signs – II. Variaciones sobre un tema sentimentalThese two concertos
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Ukiyo-e and the Western Musical Imagination II
Katsushika Hokusai once wrote, “When I was 50 I had published a universe of designs, but all I have done before the age of 70 is not worth bothering with. At 75, I’ll have learned something of the pattern of
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Technique Without Tears
technique |tekˈnēk| noun a way of carrying out a particular task, esp. the execution or performance of an artistic work or a scientific procedure. • skill or ability in a particular field • a skillful or efficient way of doing
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Cradle Songs
Although rocking cradles are a rarity these days, cradle songs remain a favorite for getting the little one to sleep, and calming the air in general.
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Giulio Romano Caccini
“Music is text and rhythm, and sound last of all” 400 years ago, the Italian composer, singer, teacher and instrumentalist Giulio Romano Caccini (1551-1618) passed away in Florence. He wasn’t a particularly pleasant individual, and frequently guided by envy and
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Camille Saint-Saëns: Partsongs and Mélodies
The French choral movement known as the orphéons originated during the French Revolution. Within 15 years, the initiative was so popular that it led to the creation of the Paris Orphéon choral society, an organization eventually directed by Charles Gounod.
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