It is somewhat surprising that Prokofiev’s earliest effort in the symphonic genre also became one of his most popular and most frequently programmed works. Composed in 1916/17, Prokofiev subtitled his Symphony No. 1 “Classical.” That nickname was apparently chosen to

Sergei Prokofiev was one of the twentieth century’s most brilliant composers, and he definitely knew it. In fact, he was so confident in his musical abilities that he never attempted to conceal the more disagreeable aspects of his character or

The piano was the prominent vehicle for Sergei Prokofiev’s musical expression. In the tradition of the great piano virtuosos of the 19th century, he was initially looking to impress his audiences with his considerable keyboard skills. Igor Stravinsky attended a

Sergei Prokofiev would make a compelling case study for a textbook investigating the psychology of the exceptional child. Supremely talented in musical matters, Sergei had composed a number of overtures, various piano pieces and his first opera The Giant by

Celebrating the 125th Anniversary of his Birth Sergei Prokofiev (1891-1953) “There are still so many beautiful things to be said in C major” Sergei Prokofiev’s death on March 5, 1953, only hours before the passing of Josef Stalin, went almost