3 Poems by Henri Michaux Although Witold Lutosławski experimented with serial and post-serial techniques, he always found the results rather unsatisfactory. This was particularly true of compositions utilizing the human voice. Awkward intervals and highly complex rhythms demanded a high

Fishing for Souls The premier of Witold Lutosławski’s Cello Concerto in 1970 was greeted as “an epic confrontation between an individual and an oppressive mass, in which the cello’s voice is symbolically squashed by outbursts in the brass and orchestral

Dance Preludes When you’re asked to think of a twentieth-century composer who uses imaginative textures and sounds, who do you think of? Ravel? Boulez? What about folk melodies – who springs to mind then? Bartok, or maybe Vaughan-Williams? And an