As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: info@interlude.hk We would love to share your classical music experiences with our ever-growing audience. Have you:
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Behind the Keyboard with Mandy Chan Discover Hong Kong harpsichordist Mandy Chan’s insider view about historical technique, interpretation and the performer you should seek out. Friends often seek personal advice about how to build the perfect classical music playlist, particularly
by Dr. Helber Fernandes Ribeiro December 3rd, 2024
Introduction: The Importance of Brazilian Repertoire In piano teaching, Western classical music often dominates repertoire choices, often neglecting the diversity and richness of other musical traditions. This research advocates for including Brazilian piano works as pedagogical resources to foster diversity,
When I read the announcement that Sylvia Milo’s solo play “The Other Mozart” would be presented in Little Rock at the CALS Ron Robinson Theater, I immediately wanted to see it. Especially since on that very day we were supposed
“Mahler’s total symphonic work, as the final, highest product of the Romantic worldview, is at once guarantor and foundation of a new idealism.” ~ Paul Bekker Vienna, at the turn of the 19th century, was in its cultural prime, with
In 1986, young pianist Nelson Goerner, aged 16 and freshly graduated from Vincenzo Scaramuzza’s school in Buenos Aires, asked Martha Argerich who would suit him the best to further study with in Europe. Without any hesitation, she mentioned Maria Tipo,
In one of their recent issues, the BBC Music Magazine published an article on the most famous Requiems. Jeremy Pound asked composer Michael John Trotta, who had recently completed his own Requiem, to name his favorite. At first Trotta replied
Shark Symphony (City Chamber Orchestra of Hong Kong) Tsuen Wan Town Hall Auditorium 20,21 April, 2024 At the sight of City Chamber Orchestra’s poster — a giant shark chowing down on a hapless violin — you’d be forgiven in dismissing
Rich contributions have been made to classical music by creators from Spanish and Portuguese-speaking countries. Composers like Ponce and Albéniz, conductors in the mode of Dudamel and Payar, instrumentalists such as de Larrocha and Ricardo Morales, all testify through their