Blogs

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Musical Giants of the 20th Century: The Art of Lieder (Female Interpreters)
When we talk about giants among the female Lieder interpreters of the 20th century, we really must start with the great Polish soprano Marcella Sembrich (1858-1935). Sembrich performed for Liszt, and after studying in Vienna and Milan, secured long-term contracts
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Musical Giants of the 20th Century: Opera Voices
Richard Tucker: First of the great American tenors For several generations of patrons of the Metropolitan Opera in New York, one tenor represented the absolute gold standard: Richard Tucker. It helped that he had immigrant Jewish background (he was born
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Sir Neville Marriner: Reminiscences
The world recently lost Sir Neville Marriner, a man who had a worldwide impact on music and musicians. Those of us who were lucky to know him and work with him have been forever enriched.
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Musical Giants of the 20th Century: Choirs
Our Musical Giants of the 20th Century series have so far looked at some of history’s finest musicians – string players like Heifetz and Hubermann, pianists including Richter and Rubinstein and conductors from Kleiber to Karajan. We now turn our
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A Week in The Life at the Tanglewood Music Festival
The verdant hills of the Berkshires beckon not only for the exceptional scenery but also because of Tanglewood—the eight-week music festival and school, home of the Boston Symphony Orchestra from June through early August. I had the privilege of experiencing
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Unforgettable Wedding Performances!
A ‘destination’ wedding sounds like a terrific idea for romance and adventure but it can cause snafus for musicians! My friend Diane’s string quartet was booked to play at the historic lodge Stouts on an island in Wisconsin—a gorgeous location.
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Musical Giants of the 20th Century: Violists
Sadly the viola has been unjustly maligned. The following five consummate violists have put the viola on the map as a solo instrument, and without them we wouldn’t have the outstanding world-renown players we hear today.
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Pianos, old and new
Some years ago I heard two performances of Chopin’s Piano Sonata No. 3 in the same day: the first was on an 1848 Pleyel from the Cobbe Collection at Hatchlands, UK, a piano said to have been used by Chopin
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