A Response to Sir András Schiff’s Comment About Modern Audiences The attitude and behaviour of classical music audiences has been in the British news (not for the first time!) thanks to an article about Hungarian pianist Sir András Schiff in

First broadcast on Caesar’s Hour on 19 October 1955 on NBC television, we have a version of Pagliacci that everyone will understand, even if they can’t understand Italian….and especially if they can’t understand Italian. In Sid Caesar’s inimitable pseudo-Italian, we

What can a musician learn from a mime’s art and training? We were speaking the other day with Valérie Aimard, cellist with Cello Kids and learned that some 15 years ago, she’d taken up another discipline: Mime. As she said

I was asked the other day for some ideas for sustainability and classical music. Hmmm. Not a topic I’ve heard much on. In doing research on sustainability and music, two non-classical topics turn up: how to make rock festivals (think

Hailed as India’s longest-running music society, the Madras Musical Association (MMA) celebrated its 125th anniversary in 2018 with a series of concerts and tours illustrating its diverse musical repertoire and expanding membership and popularity. This year, the MMA embarked on

The Complete Pianist is exactly that: a comprehensive, generous guide to playing and teaching the piano, and one of the most significant volumes on piano technique to appear in recent decades, written by renowned pedagogue and British concert pianist Penelope

We recently explored how to learn to read the notes of a piece of music. But that’s only half the battle! We can’t read music until we learn the rhythms too. Counting involves mathematics…not always everyone’s favorite subject. As a

Joseph Boulogne, Chevalier de Saint-Georges (1748-1799) was the darling of French Society, and he was one of the most accomplished men of his age. Born in St. Dominique—now Haiti—to a wealthy plantation owner and his black Senegalese slave Nanon, “said