In the summer of 1945, Kurt Weill received a commission for a series of short radio operas. Olin Downes, the music critic of The New York Times, and a businessman named Charles McArthur, envisioned a combination of the old English

Starting with a hoot of a boat whistle, we’re off on an adventure. For our heroine, the boat trip is one with destination disaster but for us, we get a treat in Kurt Weill’s music for the musical Marie Galante.

Liza Elliot (mezzo-soprano) is a successful editor of a popular fashion magazine. Nevertheless, she is highly uncomfortable with the success-oriented and male-dominated society. Liza is also conflicted about the love interests in her life, and she can’t decide between her

The Seven Deadly Sins was the final collaboration between two of the most revolutionary artists of Weimar Germany, Kurt Weill and Bertold Brecht. Premiered on 7 June 1933 in the Théatre des Champs-Elysées, Weill watched the declining German political and

It’s exceedingly rare, but autograph musical scores by some of the great composers in the Western classical tradition are still being discovered! In 1999, a miniature Beethoven string quartet was rather accidentally found in a chest of papers in Cornwall.