Francis Poulenc, the enfant terrible of French music, never did anything halfway. When he composed Les mamelles de Tirésias (The Breasts of Tiresias) in 1947, he didn’t merely write an opera. Instead he wrote a cheeky, whirlwind rebellion against societal norms, gender

“I simply follow my own feelings” Among the most original and sincere voices of the 20th century, Francis Poulenc (1899-1963) was no revolutionary as his music and personality simply mirror the often-conflicting nature of humanity. Simultaneously earthy and refined, an

Francis Poulenc completed his 15 improvisations for piano in 1959 with No. 15 in C minor, subtitled “L’hommage à Édith Piaf.” Although dedicated to Edith Piaf, it is not known whether Poulenc and Piaf actually met, though they had friends

Some say that Francis Poulenc was granted an ideal death. He died of a heart attack in his Paris apartment on the rue des Medicis, on 30 January 1963. On that day he was planning to have lunch with Denise

Francis Poulenc: La voix humaine In the early 1920’s, Jean Cocteau (1889-1963) had been the unofficial spokesman for a group of six composers emphasizing directness, simplicity, clarity and humor. “Les Six,” comprising George Auric, Louis Durey, Arthur Honegger, Darius Milhaud,

Francis Poulenc (1899-1963) was one of the most original and sincere voices of the 20th century. His music and personality mirror the often-conflicting nature of humanity. Simultaneously earthy and refined, a promiscuous homosexual who fathered a daughter late in his

In his 1921 collection Promenades, Francis Poulenc presents us with an odd world of travel. Rarely performed because of its technical and musical difficulties, Promenades gives us an audio image of travel in early 20th century France. One writer compares

In his 1889 work known as the Enigma Variations, English composer Edward Elgar depicted his friends and neighbours in music. Although he first gave the movements coded titles, their identities were quickly figured out. In a similar fashion, the French