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The Heath Quartet
Tchaikovsky: String Quartets No. 1 & No. 3
String Quartet No. 1 in D major, Op. 11 (1871) II Andante cantabile From The Heath Quartet Tchaikovsky: String Quartets No. 1 & No. 3 (2016) Released by Harmonia Mundi Tchaikovsky: String Quartet No. 1 in D major, Op. 11
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Couperin: Leçons de Ténèbres
Troisième Leçon, à deux voix: I. Jod. Manum suam misit hostis From Couperin: Leçons de Ténèbres (2016) Released by Harmonia Mundi Couperin: Troisième Leçon, à deux voix: I. Jod. Manum suam misit hostisFrançois Couperin (1668-1733) served as harpsichordist to Louis
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ZEMLINSKY, A.: 7 Lieder von Nacht und Traum / Chamber Symphony
Lieder, Volume 1, Op. 2: No. 6. Um Mitternacht From ZEMLINSKY, A.: 7 Lieder von Nacht und Traum / Chamber Symphony (2016) Released by Ondine Zemlinsky: Lieder, Volume 1, Op. 2: No. 6. Um MitternachtIn 2013 composer Richard Dünser (b.
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Hugo Wolf: Kennst du das Land?
Die Bekehrte (Goethe) From Hugo Wolf: Kennst du das Land? (2016) Released by Harmonia Mundi Wolf: Die Bekehrte (Goethe)Goethe . . . Eichendorff . . . Mörike . . . These names resound in the ears of all who love
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Remembrance
Durufle: Requiem Op. 9 V. Pie Jesu From Remembrance (2016) Released by Harmonia Mundi Durufle: Requiem Op. 9 V. Pie JesuGraham Ross directs the Choir of Clare College, Cambridge in a wide-ranging and moving sequence of music for Remembrance, including
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BRAUNFELS, W.: Grosse Messe
Grosse Messe, Op. 37: 1 Kyrie From BRAUNFELS, W.: Grosse Messe (2016) Released by Capriccio Braunfels: Grosse Messe, Op. 37: 1 KyrieBraunfels’ hand at drama and his careful consideration of the text betrays the opera composer, not only in the
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Brahms: Vier ernste Gesänge op.121
9 Lieder und Gesänge Op. 32 IX. Wie bist du, meine Königin Adagio (E-flat major) From Brahms: Vier ernste Gesänge op.121 (2016) Released by Harmonia Mundi Brahms: 9 Lieder und Gesänge Op. 32 – IX. Wie bist du, meine Königin
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IRELAND, J.: String Orchestra Music
Sarnia: II. In a May Morning From IRELAND, J.: String Orchestra Music (2016) Released by Naxos Ireland: Sarnia: II. In a May MorningJohn Ireland’s music is often a response to landscape and romantic sensitivities. With its significant musical clues, broad,
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