If we think of the flutes as the air above the woodwind section and the oboes as the kind of nasal-sounding brain, then the heart of the section has to be the clarinet. Unlike the oboe, which is a double-reed

Every pianist knows that the standard grand piano has an 88-key keyboard! And in general, this assumption is certainly correct. However, if you stumble across the Bösendorfer Imperial Model 290 or the Bösendorfer Model 225, you will notice that these

In many cities, there are multiple orchestras and although we might think that they differentiate themselves solely through their labels: London Philharmonic and London Symphony Orchestra, etc., they may also carry other names that differentiate them by size. The smallest

The South London Concert Series is a unique concert concept, created and curated by myself and harpsichordist and fellow piano teacher Lorraine Liyanage. Launched in November 2013, the series offers talented amateur pianists the opportunity to perform alongside young and

Other than playing the violin fantastically, what do Itzhak Perlman, Midori, Anne Akiko Meyers, Sarah Chang, Nadja Salerno-Sonnenberg, Nigel Kennedy, Gil Shaham, Shlomo Mintz Philippe Quint and Cho-Liang Lin have in common? Their teacher! Dorothy DeLay.

The connection between classical music and political activism of one sort or another is hardly new. When Beethoven disapproved of Napoleon’s shenanigans, he promptly changed the dedication of his Eroica symphony to “the memory of a great hero.” Verdi’s chorus

Scott Ordway would be what you would call an all-rounded musician. As a composer, a conductor, and a faculty member at the Curtis Institute of Music, Ordway is constantly in touch with different aspects of music, from studying and conducting

It’s difficult, 200 hundred years later, to imagine how much Europe was frightened by Napoleon’s return to power in March 1815. Before being sent to exile in Elba, Napoleon’s army had conquered most of Europe, creating an Empire that stretched