Inspiration

“Every great inspiration is but an experiment.”

Charles Ives

Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.

952 Posts
  • Horses and Sleighs: The Troika Horses and Sleighs: The Troika
    Considered a cultural icon of Russia, a sleigh drawn by three horses abreast, the troika. The unusual aspect is that the three horses are next to each other, abreast, with the middle horse trotting and the outside horses cantering. At
  • Miscellany Compositions Dedicated to Johannes Brahms Miscellany Compositions Dedicated to Johannes Brahms
    Max Bruch: Symphony No. 1 in E-flat Major, Op. 28 It has been said that Johannes Brahms and Max Bruch (1838-1920) enjoyed a long but superficially cordial relationship. Actually, Bruch considers Brahms “an arrogant and disagreeable man, liable to react
  • The Lure of the South: Copland Goes to Mexico The Lure of the South: Copland Goes to Mexico
    In 1932, Aaron Copland (1900–1990) was in Mexico, hanging out with the Mexican composer and conductor Carlos Chávez, when they visited a nightclub, El Salón México, that was later immortalised in Copland’s 1936 orchestral work of the same name. His