About Meet our contributors
Frances Wilson

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Frances Wilson is a UK-based publicist, advanced amateur pianist, and writer on classical music and pianism under the pen-name ‘The Cross-Eyed Pianist’. A keen concert-goer, Frances has been a regular reviewer for international concert and opera listings site Bachtrack.com in addition to writing reviews for Interlude and her own site; has contributed articles to Classical Music magazine, Pianist magazine, The Schubertian (the journal of the Schubert Institute UK); and writes programme notes for several leading UK concert halls. She has appeared on BBC Radio 3’s Music Matters programme to discuss the role of music criticism today and the effect of the internet on music journalism and writing. In 2019 she became Concerts Manager for Weymouth Lunchtime Chamber Concerts, a popular monthly recital series founded by British pianist Duncan Honeybourne.


www.crosseyedpianist.com
www.franceswilson.co.uk
Twitter: @CrossEyedPiano

Contributed Posts
Apr 2, 2026 Where Life Becomes Music: Martin Mayer’s The Solo Piano Collection
Mar 27, 2026 Pianist Anastasiya Bazhenova Explores the Fragility of the Human Condition in Her Debut Album
Mar 27, 2026 Lighting the Fifth Beacon: How Young Voices are Sounding the Climate Alarm
Mar 26, 2026 Introducing Zenezen – A “Creative Ecosystem for Musicians, by Musicians”
Mar 24, 2026 Nicholas Scott-Burt: 24 Preludes for Piano
Da-Hee Kim, piano
Mar 17, 2026 De Profundis
Charles Owen, piano
Mar 14, 2026 The Savvy Musician 2.0 by David Cutler
A How-To Guide to Thriving in Today’s Music World
Mar 7, 2026 Contemporary Piano Music Takes Centre Stage in ‘Music of Our Time’ at Bechstein Hall
Mar 5, 2026 Sheng Cai Plays Tchaikovsky
Highlighting lesser-known works
Mar 3, 2026 How Body Language Enhances Musical Experience