Mozart’s music brings me such bright emotions. Regardless of his works; the genres, the styles, or the instrumentation. Excitement, lightness, joy, beauty, simplicity, positivity — I can recall feeling one if not a combination of these emotions whilst listening to

Wolfgang Amadeus Mozart (1756-1791) penned a vast number of letters, starting from about the age of 14 and ranging to the last month of his life. Literally, thousands of these documents have been preserved, thanks to the foresight of his

Cosí fan tutte is the least performed of the Mozart–Da Ponte operas. The comedy of Le Nozze di Figaro and the travails of our favourite libertine in Don Giovanni were much more popular. The uncertain and changing morals of Cosí

I need to start this blog with a disclaimer. When I titled this article “Piano Repertoire” by Wolfgang Amadeus Mozart, I was well aware that Mozart didn’t perform and compose music for what we identify as a modern piano today.

Ever since Mozart’s Così fan tutte: La scuola degli amanti premiered on 26 January 1790 at the Burgtheater in Vienna, Austria, its critical reception has been marked by ambivalence. For one, it opened during the Austro-Turkish War of 1787-91, playing

Wolfgang Amadeus Mozart: Serenade No. 13 in G major, K. 524 “Eine kleine Nachtmusik” In the wonderful and whacky world of musical nicknames, there is nothing more famous than “Eine kleine Nachtmusik” by Wolfgang Amadeus Mozart. This “Little Night Music”

We now think that the Glass Harmonica is simply an instrument with an otherworldly tone, but at its heyday in the late 17th century, it was an instrument that some thought could drive you mad. Musical Glasses, or glasses filled

On 22 July 1776 two of the most powerful Salzburg families joined for the wedding of Elisabeth Haffner and Franz Xaver Späth. The bride’s father, Sigmund Haffner had married the heiress of an important trading post. Sigmund Haffner worked in