The most famous flower waltzes are those in Tchaikovsky’s ballet The Nutcracker. Once Clara and the Nutcracker arrive in the Land of Sweets, their time there includes the Waltz of the Flowers.
Tchaikovsky: The Nutcracker Suite, Op. 71a: VIII. Waltz of the Flowers (Slovak Radio Symphony Orchestra; Ondrej Lenárd, cond.)
Another work for the Russian Imperial Ballet was Alexander Glazunov’s ballet The Seasons, first produced in 1900. This time we have summer flowers, cornflowers (blue) and poppies (red) – in the ballet, they dance until they tire and are restored by a group of Naiads bringing them water.
Glazunov: The Seasons, Op. 67: X. Summer: Waltz of the Cornflowers and Poppies (Slovak Radio Symphony Orchestra; Ondrej Lenárd, cond.)
In his 1880 operetta Das Spitzentuch der Königin (The Queen’s Lace Handkerchief), Johann Strauss II wrote a work with political overtones: In an attempt to be around her husband, the King of Portugal, to jealousy, the Queen writes a love message on her lace handkerchief, hiding in a book of Cervantes. It is found, however, by the unscrupulous Prime Minister, who wants to unite Portugal with Spain, and all becomes fraught. The Waltz, Roses from the South, is one of the most famous works from this operetta, but, curiously, appears in neither the full score nor in the piano/vocal score. It is actually part of the material that was discarded before the final version of the operetta hit the stage, but as it’s full of musical references to the operetta as a whole, has taken on a separate life.
Strauss II: Das Spitzentuch der Königin: Rosen aus dem Süden (Roses from the South), Op. 388
Johannes Brahms wrote two sets of Liebeslieder Waltzes, op. 52 and Op. 65. The texts were from Georg Friedrich Daumer’s Polydora, a collection of folk songs and love poems, and the music uses the local German Ländler dance as its inspiration. The text is told by an unhappy maiden: her mother gave her roses because she was unhappy and they drop their heads just like she does.
Brahms: 15 Neue Liebeslieder Waltzes, Op. 65: Rosen steckt mir an die Mutter (Mother gave me roses) (Jurgen Uhde and Renate Werner Piano Duo; Stuttgart Gachinger Kantorei; Helmuth Rilling, cond.)
Anglo-French composer Baron Frédéric d’Erlanger was alternatively a patron of the arts and a composer whose works included operas, ballets, a requiem mass, a violin concerto, and other music. His 1934 work, the Midnight Rose Waltz, was originally written for orchestra and was briefly popular.
D’Erlanger: Midnight Rose Waltz (Janice Weber, piano)
As the cool winds blow, those of us not engaged in active snow removal can think ahead to spring and the reappearance of flowers dancing in the breezes.
Lieder ohne Worte III
Composer’s Fancy and Player’s Delight From piano works to chamber music repertoire
- Exotic Dancing with Jean Françaix Huit Danses exotiques from the South American region
Gabriel Fauré (1845-1924)
“I’m Not in the Habit of Attracting Crowds” Song cycles composed by the “greatest master of French song”
Lieder ohne Worte II
Composer’s Fancy and Player’s Delight Enjoy more lieder by Fanny Mendelssohn, Gounod and more