In homage to director and designer Nikos S. Petropoulos, Greek National Opera did a revival of his 2001 La Traviata, first given at the Olympic Theatre. The design was Over The Top in the best possible way, with the first

Luigi Cherubini‘s Medea was a vehicle for Maria Callas – she brought back Cherubini’s long-forgotten score and made it her triumph. The French-language Médée, had received its premiere in Paris at the Théâtre Feydeau on 13 March 1797. Its opening

Georges Bizet (1838–1875) never had the success he wanted in his lifetime. He had two hits in the operas Les pêcheurs de perles and La jolie fille de Perth, but both operas came in for criticism. The Pearl Fishers for

Gaetano Donizetti’s setting of the final days of Henry VIII’s second wife, Anne Boleyn, as Anna Bolena, is a story of love and hate, loyalty and lies, and, ultimately, one woman’s death so another can take her place. In today’s

As an homage to their long-time designer Nikos S. Petropoulos, Greek National Opera staged a revival of his 1998 Tosca. Set in 1944 Rome, the opera opened as if it were a film, with the opening credits running on a

Award shows have long perfected the art of preaching to the converted. Year after year, they gather the most devoted insiders to celebrate their achievements, affirm shared values, and rehearse familiar narratives about excellence, innovation, or social responsibility. The result

Greek National Opera, housed at the Stavros Niarchos Foundation Cultural Centre, was host to the 2025 International Opera Awards in November. What was wonderful was its overview of the entire world of opera – not only in Europe but also

Created as a three-part collaboration between the Salzburg Easter Festival, the Royal Opera House in London, and Greek National Opera, director Oliver Mears moves the setting from the unknowable past to the current day. The costumes, by Annemarie Woods, are