Blogs

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Gustav Mahler’s Final Journey
If you find yourself in Vienna with a bit of free time on your hands, you might well consider taking a short excursion to Grinzing. This charming old wine village still preserves architectural objects from Roman times, but it is
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Where Did the Inspiration Go?
Is it true that success removes inspiration and the drive to create and explore? If it does not happen to all, it is certainly observable with many. Particularly with recent composers and artists. Throughout the first quarter of the 21st
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Why Learning to Play the Piano or Any Musical Instrument Saves Lives
Once a status symbol for middle-class families, pianos are now nearly impossible to even give away. It’s true that an old piano is costly to move and pricey to refurbish, but I was viscerally distressed to read how many pianos
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Erik Satie
The Rosicrucian Adventure
In a ranking of madcap artists and composers, Erik Satie would almost certainly take first prize. His whacky eccentricities, tied to the subconscious world of chimera and dream, are surely the essence of French decadence. As we approach his birthday
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John Cage: A Beginner’s Guide to the Fascinating Composer
It seems like everyone in the music world has opinions about the music of John Cage. Some people love his work, while others loathe it. Regardless of how you feel, it’s always a great idea to learn more about any
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Church Music
As this article is being written around the Christmas period, and the Christian churches are filled with festive religious music, let’s have a better look at the different types of sacred music, their composers, and how they have evolved over
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Best Quotes About Flutes and Flutists
The flute is one of the best-loved instruments in band and orchestra, and it’s easy to understand why. It is incredibly versatile, can play an exceptionally wide range of notes, and plays a starring role in classical music, jazz, and
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Franz Schubert: String Quintet in C Major (D. 956)
“At the Gates of Heaven”
Franz Schubert’s final chamber work, the String Quintet in C Major (D. 956) is regarded as one of the greatest compositions in all of chamber music. The “sublime” second movement has long been viewed as the essence of coming to
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