About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Aug 31, 2020 Outspoken Performances III: Political Voices of Opera Singers
Aug 30, 2020 The Music of Poetry
Joseph von Eichendorff: “Mondnacht”
Aug 25, 2020 Ludwig van B. and the Ladies
Aug 24, 2020 Outspoken Performances II: Conductor’s Podium as a Political Platform
Aug 23, 2020 Composers of the Zodiac
The Tropic of Virgo
Aug 19, 2020 A Matter of Discretion
Franz von Suppé, Therese Merville and Sofie Strasser
Aug 18, 2020 Beethoven’s Lairs
“Döblinger Hauptstrasse 92”
Aug 17, 2020 Outspoken Performances: Politics on and off the Stage
Aug 16, 2020 The Music of Poetry
John Keats and Fanny Brawne “La Belle Dame Sans Merci”
Aug 15, 2020 Samuel Coleridge-Taylor and Jessie Sarah Fleetwood Walmisley
“Nobody Knows the Trouble I’ve Seen”