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Without Ethel Smyth and classical music’s forgotten women, we only tell half the story

Ethel Smyth's compositions and pioneering energy filled England in the interwar years

Ethel Smyth … prolific composer, suffragette, author and friend, and possibly lover, of some of the most famous figures of the early 20th century Photograph: Alamy

Expanding the classical canon brings us incredible music and extraordinary stories, not least that of Ethel Smyth, whose compositions and pioneering energy filled England in the interwar years

In 1934, all of musical England gathered to celebrate the 75th birthday of one the country’s most famous composers – Dame Ethel Smyth. During a festival spanning several months, audiences crowded into the Queen’s Hall, London, to hear her symphonic cantata The Prison, or settled in at home to listen to the BBC broadcasts of her work. At the festival’s final concert in the Royal Albert Hall, the composer sat beside Queen Mary to watch Sir Thomas Beecham conduct her Mass. By this point, Smyth was nearly completely deaf, and could barely hear a note of her own music. But she could understand the uproarious applause that surrounded her when the concert ended, acknowledging the lifetime she had given to music. Full story.

Leah Broad (The Guardian) / December 2, 2020

Weblink : https://www.theguardian.com
Photo credit : https://www.theguardian.com

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