
Ethel Mary Smyth Hulton
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This month at the Metropolitan Opera, audiences can see and hear, for the first time there in over a century, an opera composed by a woman — Kaija Saariaho’s “L’Amour de Loin.” The milestone is shocking — and it can be explained, if not fully justified. Full story.
Alice Gregory (The New York Times) / December 2, 2016
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