“In C,” which had premiered in San Francisco four years earlier, would ultimately be credited with formulating the Minimalist movement in music that Steve Reich (who performed in the “In C” premiere), Philip Glass and later John Adams would further pioneer and eventually make mainstream. Minimalism would herald an unexpected inventive return to consonance, traditional harmony and pulse, all of which had little appeal to modern music, academic or avant-garde. Full story.
Mark Swed (Los Angeles Times) / April 21, 2018
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