Media
Commentary: Why Satie? Why now?

Pianist Scott Dunn delivers a 2012 performance of Satie’s “Vexations” at the Miles Memorial Playhouse in Santa Monica.

Pianist Scott Dunn delivers a 2012 performance of Satie’s “Vexations” at the Miles Memorial Playhouse in Santa Monica.(Allen J. Schaben / Los Angeles Times)

How one composer embodies our time of loneliness and angst

Safe at home this spring has not necessarily meant sane at home. One antidote is a mega-dose of Erik Satie.

The French composer’s most beguiling and languidly becalming piano pieces, particularly the inescapable “Gymnopédies,” began showing up in April and May on recorded compilations with such titles as “Work From Home: Classical Music for Peace and Calm,” “Working From Home in Peace: Classical Tunes for Concentration,” ”Musique Pour Travailler, Lire, Dormire” (Music for Working, Reading and Sleeping) or just plain “Chill Piano.” Full story.

Mark Swed (Los Angeles Times) / June 17, 2020

Weblink : https://www.latimes.com
Photo credit : https://www.latimes.com

More Press

Leave a Comment

All fields are required. Your email address will not be published.