411 Posts
Whole Body Learning
A Complete Approach to Learning Music Whole Body Learning (WBL) or kinaesthetic learning is a way of teaching and learning music which engages body, mind and emotions, drawing on the principles and approaches of early 20th-century educators such as Orff,
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In Memoriam: Krzystof Penderecki (1933-2020)
Music in the Nuclear Age
Throughout his life and career, Krzystof Penderecki (1933-2020) considered music a fundamental and essential part of the human condition. He started composing when he was six, and his whole life as an artist has been a never-ending search for self-
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Pocket Symphonies
You’ve heard of pocketbooks, pocket watches, pocket battleships and pocket money, but what about pocket symphonies? According to Wikipedia, “a pocket symphony is a song with extended form. The term was popularized by English journalist Derek Taylor, who used it
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Returning Cycles – Beethoven’s “32”
intense, immersive, impassioned, hugely demanding and hugely enrichingJonathan Biss, pianist It’s the single most humane music imaginableIgor Levit, pianist Somewhere in the world right now, as I write, a pianist is performing or recording the Beethoven Piano Sonatas, maybe just
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Women Conductors Breaking Through the Glass Ceiling
JoAnn Falletta
Celebrating her 20th season at the helm of the Buffalo Philharmonic Orchestra this year, JoAnn Falletta is the first woman conductor to be appointed music director of a major American orchestra. At a time when women conductors had to overcome
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The Psychology in Film Music III
Musical gestures in some films are all about mirroring or inferring movement. But, as we see in certain movies like Hitchcock’s Vertigo, the music suggests the mental condition of the lead character, Jimmy Stewart, who suffers from vertigo. This spinning
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The Psychology in Film Music II
In part I of this series, we heard several examples of how film music is designed to affect us psychologically. In this part, we look closer at why movie makers need to include music that pulls our psychological strings. In
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Cyril Scott: the English Debussy
For many pianists, our first encounter with the music of Cyril Scott is through his exotic, languorous piece Lotus Land. This was also Georgian pianist Nino Gvetadze’s first introduction to Scott’s piano music, through one of her teachers at Tbilisi
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