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How You Should Feel in the Key of A flat minor
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, F sharp major and minor, and C sharp major
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Celebrating Young Talent – the BBC Young Musician competition
Bartok may have declared that competitions were “for horses”, but this year’s prestigious BBC Young Musician competition, which has just reached its thrilling conclusion with the prize being awarded to cellist Sheku Kanneh-Mason, proved above all that music brings joy
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How You Should Feel in the Key of A flat major
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, F sharp major and minor, and C sharp major
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How You Should Feel in the Key of C Sharp minor / D flat minor
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, and F sharp major and minor, we listed Ernst
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How You Should Feel in the Key of C Sharp Major / D flat major
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor, B major and minor, and F sharp major and minor, we listed Ernst
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How You Should Feel in the Key of F Sharp Minor
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor,and B major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces
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How You Should Feel in the Key of F Sharp Major / G flat major
In our earlier series on C major and minor, G major and minor, and D major and minor, and A major and minor, E major and minor,and B major and minor, we listed Ernst Pauer’s suggestions from 1876 of pieces
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Christian August Sinding (1856-1941)
The Forgotten Norwegian Composer
Ambitious amateur pianists primarily remember the Norwegian composer Christian August Sinding (1856-1941) for his Frühlingsrauschen (Rustle of Spring) Op. 32, No. 3. However, during his lifetime he was not only considered the musical heir to his compatriot Edvard Grieg, but
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