1421 Posts
A Woman’s Emotional World – Björk’s Opera Vespertine
Think back to the turn of the millennium – pop music was focused on getting that drum and bass just right and party music. And then came the events of 2001 and the world changed – 2 towers came down
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Saved by the Statue – Hérold’s Zampa
As a welcome relief to the seemingly unending lines of poor operatic heroines who are victims of poor choices in lovers, relatives (fathers, brothers) who want to marry them off to inappropriate old men, etc., we have Camille and Alice,
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Music for the New Year in a Big Space
In December 1983, organist Harry Huff was scheduled to play the New Year’s Eve service at the world’s largest (or second-largest) Anglican Cathedral, New York’s St. John the Divine, located by Columbia University in Morningside Heights in Manhattan. First discussion
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The Wren, the Wren, The King of All Birds
That wonderful week between the festivities of Christmas and New Year is used by several countries in different ways. For many of us, it’s a quiet time to play with our new presents, visit old friends, get up-to-date on everything
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Sounds of the Season
Goldstein’s ‘Twas the Night Before Christmas
It isn’t often that an extended poem gets taken on a modern spin, but Clement Clarke Moore’s 1823 poem, “‘Twas the Night Before Christmas,” beloved of children of all ages, has been set by composer William Goldstein against an orchestral
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Brother Devil – Auber’s Fra Diavolo
The bandit leader Michele Pezza (1771-1806) defended his native Naples against the invading French using his native knowledge of the territory and his inadvertent army duty. Pezza, who had received the moniker of ‘Fra Diavolo’ as a child because he
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Nature at Night – Marx’s Symphonische Nachtmusik
The Austrian composer Joseph Marx (1882-1964) led Austrian musical culture and after his death, seemed to vanish completely from the musical scene. Born in Graz, he studied philosophy, art history, German studies, and music at the University of Graz. In
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Consorting With the Nobles – Ferrabosco II’s Four-Note Pavan
Alfonso Ferrabosco the Elder (1543-1588) was an Italian composer who came to England around 1562 where he was nearly the only Italian in the country. A composer and son of Domenico Ferrabosco, he worked for Queen Elizabeth I, some say
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