September, 2019

41 Posts
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By the Light of the Silvery Moon
The turn of the 20th century saw a surprising number of Moon songs. It also saw the first amusement park devoted to the moon: Luna Park in Coney Island, New York. That original Luna Park, which opened in 1905, was
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How the Classical Music Experience Is Changing
Many modern orchestras are focusing on the audience experience today. In the United States and several other countries, you can go to a concert hall to hear a symphony orchestra and they will encourage you to clap between movements if
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Upset by Einaudi?
What is it about Ludovico Einaudi and his music which provokes such strong reactions from so-called “serious” classical music people? His music is regularly criticized by these people for being “bland”, “unchallenging”, “unsophisticated”, or simply “bad”… Einaudi’s musical language is
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The Dark Trip – d’Indy’s Tableaux du voyage
Vincent d’Indy (1851-1931) was considered by Gabriel Fauré as ‘The Samson of Music,’ not only for his work as a composer and conductor but also for his work as an educator and propagandist for French music. He followed his teacher
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Creatures of the Parisian Salon
Ruggero Leoncavallo and Berthe Rambaud
Destitute and on the verge of starving, Ruggero Leoncavallo (1857-1919) arrived in Paris. He found work as an accompanist at various café-concerts, and eventually attracted attention. Colloquially known as the “great little Italian,” he gradually gained entry into the various
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Clara Wieck-Schumann
“I once believed that I possessed creative talent” Clara Schumann née Wieck, (1819-1896) was born in Leipzig, daughter of Marianne and Friedrich Wieck. Friedrich established a successful music business, and Marianne was a gifted musician appearing as a piano and
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Musicians and Artists : Virgil Thomson and Maurice Grosser
The American composer and critic Virgil Thomson (1896-1989) believed in the ‘discipline of spontaneity.’ His music aimed at a clarity and simplicity that was unusual in 20th century composers. One of the outcomes of this search for spontaneity was his
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Defining Artistry
The miracle of an aristocratic performance lies in its capacity to vaporize everything that surrounds it…Mark Mitchell, ‘Virtuosi’ (Indiana University Press, 2000) Earlier this year I was privileged to hear two performers who are the living embodiment of superlatives like
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