January, 2019

51 Posts
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Signor Alberti’s Moving Bass Line
Not invented by, but rather named for Domenico Alberti, who used this device extensively in his own keyboard sonatas, the Alberti Bass is a moving figure in the bass or left hand of keyboard music, derived from a three-note chord.
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The Inspiration of Imagination – Dracula
There, in the shadows, a figure moves. Clothed in black, with a face seemingly drained of all life and colour, with long fingernails the better to catch you, it’s Count Dracula.
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The Organist and the Poetess
Joseph Gabriel Rheinberger and Franziska von Hoffnaaß
He was the “Wunderkind” from Lichtenstein, and she a poetess of distinction. They got married in 1867, and although the union remained childless, their marriage was a happy one. One might actually consider it the perfect relationship; she supplied the
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Mahler: Kindertotenlieder
Premiered Today in 1905
Alma Mahler severely took her husband Gustav to task for composing a series of orchestral songs on texts dealing with the death of children. Merely two weeks after the birth of their second child, Alma found it incomprehensible and feared
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At the Center of the Musical Universe
Franz Schubert III
In all, the remarkable collection of Schubert’s Lieder transcriptions by Franz Liszt totaled 58 songs. Liszt first handed twelve of these piano transcriptions to a Viennese publisher in 1838 and his concluding efforts emerged 10 years later in 1848.
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A Performance in the Making
Jean de SPENGLER
Speaks about the Cello Suites by Bach
Cellists and Bach’s Cello Suites Alexis Galpérine: My first question will not come as a surprise to you – why Bach’s Cello Suites yet again? Jean de Spengler: As I am sure you already know, Bach’s Suites are the breviary
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Reverence
Tradition is not the worship of ashes, but the preservation of fire ― Gustav Mahler A sense of reverence seems to haunt every corner of Classical Music. The artform is considered the very pinnacle of man’s artistic, intellectual and spiritual
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Mozart’s Musical Journey
26 January 1770: “Misero tu non sei”
From the city of Milan, Wolfgang Amadeus wrote to his sister on 26 January 1770, “I rejoice in my heart that you were so well amused at the sledging party you write to me about, and I wish you a
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