August, 2017

46 Posts
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Alexander Calder: Hypermobility and Music
The current exhibition ‘Calder: Hypermobility’ at the Whitney Museum in New York City raises interesting questions about Alexander Calder’s art and its relationship to 20th century music. In his youth, Calder had shown not only an interest in art, but
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King Norodom Sihanouk
The Royal Composer and Filmmaker of Cambodia
Recently, I introduced you to the swinging king of Thailand! King Bhumibol the Great, who died in October of 2016, was an accomplished jazz saxophonist. He founded his own band, paired up with jazz great Benny Goodman, and over a
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William Kentridge turns Salzburg’s new Wozzeck into a Gesamtkunstwerk
Salzburg doesn’t fear difficult opera. And Alban Berg’s Wozzeck certainly qualifies as one. Infrequently performed on more conventional stages because of the inaccessible music and distressing storyline, Salzburg embraced it wholeheartedly, both musically and visually.
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Behind the Curtain
The BBC Music Prank
“Piotr Zak, who is of Polish extraction but lives in Germany, was born in 1939. His earliest works are conservative, but he has recently come under the influence of Stockhausen and John Cage. This work for tape and percussion was
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Wigmore Hall: London’s Sacred Shoe-Box
Opened on 31 May 1901, Wigmore Hall, nestling unobtrusively just a stone’s throw from the bustle and litter of Oxford Street in a row of tall Edwardian façades, is London’s pre-eminent venue for chamber music, song recitals and solo piano
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Alexandre Tansman: Around the World in 15 Piano Miniatures
The French novelist, poet, and playwright Jules Gabriel Verne is frequently called the “Father of Science Fiction.” Verne collaborated with the publisher Pierre-Jules Hetzel and issued a widely popular series of adventure novels that included Journey to the Center of
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Saint-Saëns: Cello Concerto no. 1. Sonatas nos. 2 & 3
Sonata for Cello and Piano No. 2 in F Major, Op. 123 III. Romanza. Poco adagio – Agitato From Saint Saens: Cello Concerto no. 1. Sonatas nos. 2 & 3 (2017) Released by Harmonia Mundi Saint-Saëns: Sonata for Cello and
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Salzburg: Giuseppe Verdi’s Aida by Shirin Neshat
The Salzburg music festival’s new director Markus Hinterhaeuser boldly outlined the motto of this year’s program as ‘power’: “strategies of power, its disgraces and horrors, but also with the ability to forgive.” With this bold declaration Hinterhaeuser possibly tried to
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