March, 2017

44 Posts
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Nearly a Meisterstueck: Kaspar Holten’s Meistersinger von Nuernberg
In his farewell production after a six year tenure as Director of Opera at Covent Garden, Kasper Holten managed a veritable hat trick. He turned Wagner’s notoriously overlong opera (at nearly five hours it is possibly the longest single opera)
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The Devils Did It – II
After we’ve gotten Faust sorted with his devil problems, all sorts of other operas have them as well. In Dvořák’s opera Čert a Káča (Kate and the Devil), we open at a village dance. Jirka has to return to work
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LE FLEM, P.: Piano Works
Mélancolie! From LE FLEM, P.: Piano Works (2016) Released by Grand Piano Le Flem: Mélancolie!Paul Le Flem belonged to the Parisian circle of Martinů, Tcherepnin and Tansman, summing up his own music as a fusion of three influences: his native
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Composers and Their Poets: Hahn
The composer Reynaldo Hahn (1874-1947) was active in many different aspects of French musical life: he was a singer and a director, a conductor and a critic, and last, but not least, a composer and an artist. He entered the
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More please! The Art of the Piano Encore
The concert is complete, the applause is given generously. The performer bows, acknowledging the audience and their applause, and leaves the stage. The applause grows more enthusiastic and the performer returns once again to take a bow and thank the
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Unsung Concertos
Thomas Tellefsen: Piano Concerto No. 2
Like many young and talented Nordic musicians, Thomas Dyke Acland Tellefsen (1823-1874) was drawn to the city of Paris. Born in Trondheim, Norway, Tellefsen moved to Paris in 1842 and studied piano with Scandinavian pianist Charlotte Thygeson, who was one
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A Love Letter from the Trenches
Frederick Septimus Kelly and Jelly D’Aranyi
It all happened during the disastrous Gallipoli Campaign in World War I. With death and destruction all around, an Australian soldier sat in a trench and composed a violin sonata for a young woman far away. “He had a tiny
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Forgotten Pianists: Marguerite Long
When Ravel wrote his piano suite Le Tombeau de Couperin in memory of the soldiers of the Great War, the first performance in Paris in 1919 was given by the Marguerite Long, who was the widow of Joseph de Marliave,
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