October, 2016

47 Posts
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Composers and their Poets: Schubert II
After the simple joys and fatal ending of Die schöne Müllerin, the feeling of Winterreise comes as an interesting change. This time, Schubert set all 24 of the verses written by Wilhelm Müller. The cycle was first published in 1823
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Ancient Sounding Timbers
Pianos by Stuart & Sons
If you’ve been reading my column on instrument makers over the years, you certainly must have noticed that I am highly critical of the huge number of mass-produced and bland pianos that are being churned out by established brands every
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Pianos, old and new
Some years ago I heard two performances of Chopin’s Piano Sonata No. 3 in the same day: the first was on an 1848 Pleyel from the Cobbe Collection at Hatchlands, UK, a piano said to have been used by Chopin
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Steve Reich & Beryl Korot
A Relationship of Shared Ideas
Working on tape-based techniques of looping and phasing by using recordings of fragments of speech, Steve Reich created a compositional process involving structures of minimalist art and musical technique. Simultaneously, Beryl Korot was working along very similar lines in the
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Minors of the Majors
Gabriel Fauré: Cantique de Jean Racine, Op. 11
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
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Muses and Musings
Fur Elise, Therese or Gigons?
It’s probably one of the most instantly recognized ring tones on your mobile, and piano students are expressly forbidden to play it in piano showrooms! By now you must have guessed that I am talking about Beethoven’s Bagatelle Für Elise.
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Avoiding Conscription
Gaetano Donizetti and Marianna Pezzoli-Grattaroli
In April 1818, the impresario of the Teatro San Luca in Venice accepted Enrico di Borgogna by the young and thoroughly ambitious Gaetano Donizetti. The opera met with little success, but it resulted in a further commission for Donizetti. Una
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The Bauhaus: Architecture, Art and Music II
In my September Interlude article I focused on the close relationship between Bauhaus architecture, art and music. It is interesting to note, however, that the Bauhaus’ own teaching program consisted of studies in architecture, art and various crafts, whereas music
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