Ottorino Respighi (1879-1936) started working on his Tre Preludi sopra melodie gregoriane (Three Preludes on Gregorian Melodies) in 1919, finishing them in 1921. His wife, Elisa Olivieri-Sangiacomo, had brought Gregorian chant to his attention.

One of the fundamental beliefs of Greek medicine, and one that extended up to the 19th century and the beginnings of modern medicine, was that of the four humours that regulated the body. The four humours were the four liquids

Renard, the Fox, is a long-established character in the folk tales of many countries. He’s reputed to be sly, be a creature cunning and trickery. Stravinsky took up the character in his comic masterpiece Renard, or, to give it its

“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening! Niccolò Paganini (1782-1840) is customarily credited with representing the

Pope Gregory I (540—604) was something of a religious superstar during his days. A talented administrator who initially served as a prefect of Rome, he eventually managed to establish papal supremacy. This doctrine assured supreme and universal power over the

Attending a classical music concert still elicits visions of powdered wigs and stuffy concert halls, stiff collars and blue-haired ladies in mink stoles. Inaccessible, incomprehensible, controlled. One doesn’t know when to clap, what to wear, how to behave.

During his early days as a composition student at the Paris Conservatoire, Maurice Ravel was called a “mediocrely gifted debutant, who will perhaps become something if not someone in a about ten years, if he works hard.” Much of this

Annabel Lee From FAIROUZ, M.: Songs (No Orpheus) (2016) Released by Naxos Fairouz: Annabel LeeMohammed Fairouz has rapidly become one of the most highly regarded composers of his generation, receiving wide acclaim for works such as Native Informant (Naxos 8.559744)