November, 2014

36 Posts
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Max Reger: Violin Concerto / Chaconne
Concerto for Violin and Orchestra, Op. 101 II. Largo con gran espressione From Max Reger: Violin Concerto / Chaconne (2012) Released by Ondine Max Reger: Concerto for Violin and Orchestra, Op. 101 – II. Largo con gran espressioneBeing “one of
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Pure Ephemera – or Not
You can’t tell the players without scorecard, as the old baseball metaphor goes, and in classical music, we use the program for the same purpose – who’s singing / playing / responsible for what. In UK theatres, you still buy
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Florestan and Eusebius
Robert Schumann: Violin Sonata No. 2 in D minor, Op. 121
Robert Schumann composed in intense spurts of creative hyperactivity, generally focusing on a single genre. When he locked himself into his Düsseldorf study in October 1851, Clara Schumann excitedly reported in her diary. “Robert is working away on something new.
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Music Through Words
Vikram Seth’s ‘An Equal Music’
Vikram Seth, perhaps most well-known for his novel A Suitable Boy (1993), is an Indian novelist and poet who has received numerous awards including Padma Shri (the fourth highest civilian award in the Republic of India awarded by the Government),
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In the Night: Pascal Amoyel and Chopin’s Nocturnes
Although it has an older meaning, when we think of the “nocturne” we think of Frederic Chopin. He took his inspiration from the Irish composer John Field whose works were the first to take the title to the piano. A
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Adolf von Henselt
The (Almost) Forgotten Piano Wizard! Between 1809 and 1814 six remarkable composers were born; Mendelssohn, Chopin, Schumann, Liszt, Thalberg and Adolf von Henselt (1814-89). Surely you have heard of the first five, but what about Henselt? Make no mistake, during
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Shanghai Conservatory of Music
The Shanghai Conservatory of Music is one of the most competitive musical education institutions in China. The Conservatory’s Vice President, Zhang Xiangping, and Zhou Xianglin, the director of teaching and study affairs, filled me in on how training at Shanghai
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Paul Klee: Fugue in Red
Paul Klee (1879-1940) craved the freedom to explore radical and modernist experimentations in his paintings. In music, however, he could never come to terms with contemporary works of Schoenberg, Berg and Webern. In fact, he even disliked the compositions of
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