September, 2014

36 Posts
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Are Music Students Burying Their Heads in the Sand?
‘So… I’m graduating in a year… I could get a job… or I could commence further study!’ ‘So… I’m finishing further study in six months… I could get a job… or I could commence FURTHER study!’
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A Walk in a Japanese Garden
Tōru Takemitsu
Tōru Takemitsu (1930-1996) fell in love with western classical music via American forces radio broadcasts during the post-war U.S. occupation of Japan. In fact, he “considered the radio as his first real teacher.” Almost exclusively focused on Western musical styles
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Improvisation is Life
Improvisation is one of the most important areas in which music can teach us how to live better. Because improvisation is life. Without improvisation, existence is not life; it is only the empty copying of old patterns – improvisation is
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Musical Instruments and Inventions: Adolphe Sax
We don’t think of instruments as having been “invented” – they just have been there forever. In some cases, though, instruments do have a definite hand guiding them and none more so than the Saxophone.
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Why Are Male Harpists So Rare?
Music is, unfortunately, no stranger to sexism. Right through the pop world to the lands of orchestras and opera, gender bias occurs more often than people wish to admit. So why do more girls play the harp, and how did
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FINNISH Finish – A Tour Story
Any veteran musician has some outstanding tour stories to tell. Here is one of mine. The climax of the 2004 Minnesota Orchestra European tour was our performance in Lahti, Finland at the Sibelius Concert Hall. Our new Music Director Osmo
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Hindemith: Violine Konzert / Symphonic Metamorphosis / Konzertmusik Op. 50
Symphonic Metamorphosis of Themes by C.M.von Weber (1943) III Andantino From Hindemith: Violine Konzert / Symphonic Metamorphosis / Konzertmusik Op. 50 (2013) Released by Ondine Hindemith: Symphonic Metamorphosis of Themes by C.M.von Weber (1943) – III AndantinoOndine presents a release
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Tango Beyond Piazzolla
I. Introduction
When Astor Piazzolla went to Paris to study with Nadia Boulanger, he was embarrassed by his non-classical music past, and that he played tango music with a bandoneón in a cabaret at night. No matter how hard he tried to
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