September, 2013

31 Posts
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Whatever Horowitz wants, Horowitz gets!
Samuel Barber : Excursions
By the early 1940’s, the pianist Vladimir Samoylovich Horowitz — and his conducting father-in law Arturo Toscanini — had reached the pinnacle of fame in the United States. Described as a “tornado unleashed from the steppes,” Horowitz mesmerized audiences with
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Orchestration – a whole world of sound
To orchestrate verb [ with obj. ] 1 arrange or score (music) for orchestral performance. 2 arrange or direct the elements of (a situation) to produce a desired effect Why do people write for orchestra? Because of the larger choice
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Chief Listener: Ng, Yat-chiu, Daniel (1937-2013)
What do you get when you cross a marketing genius and extremely successful businessman with an insatiable music enthusiasm actively supporting composers, performers, scholars and various musical organizations? If you reside in Hong Kong or have a serious interest in
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Classical Music for Weddings
Having been to several weddings in the last six months and having celebrated my own nuptials earlier this month, I thought I would share some of my thoughts on wedding music in this article. I have often been asked to
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In touch with Celso Albelo
Tenerife-born tenor Celso Albelo is one of the most exciting voices of today. Still young by operatic standards, he has already made debuts at the major opera houses in Paris, Vienna, Milan, Berlin, Zurich, Venice and Rome and is one
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How my Cello found me
My Cello and Me — We Were Made for Each Other I was smitten from the first moment. Finding an instrument is like finding your soul mate — you know it instantly. I was twenty- two- years old and had
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The Three “B’s”.
Britten, Bridge, and Berg
During his apprenticeship with Frank Bridge, Benjamin Britten began work on a set of variations on a theme by his teacher. It took Britten 5 years and a specific request from the conductor Boyd Neel and the Salzburg Festival in
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Is it just ‘a bit of fun’?
Theme and variations for Clarinet and Piano ‘You should learn his Theme and Variations’, said my teacher. I was never a fan of variations, but Françaix’s take on the form changed my view of them quite a bit. (I also,
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