May, 2013

24 Posts
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Music Healing Healers
It was in the Fall of 2012 that an email went out to many of my colleagues in the Indianapolis Symphony Orchestra: we were in a stressful situation, with our having been locked out by our management because of our
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Fate or Destiny?
Verdi and Teresa Stolz I
Giuseppe Verdi: La Forza del destino, Act 1, “Me pellegrina ed orfana” Having finally tied the knot, Peppe Verdi and Peppina Strepponi enjoyed an extended period of matrimonial peace. Whenever possible, they spent quality time at the Villa Verdi, located
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In touch with Graham Ross
So, to start with: what does your role as Director of Music actually include? My job as Director of Music covers all the practical music-making aspects of the College. I’m different to the Director of Studies in Music, who is
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Tourists, Pigeons and Giovanni
Giovanni Gabrieli, In ecclesiis I vividly remember my first visit to Venice. Mind you, I came prepared, at least in the literary sense, as I had eagerly plowed through various portrayals of the city in novels ranging from Lady Chatterley’s
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Works for Viola and Piano – Brahms/ Bridge/ Enescu/ Franck/ Glinka/ Tabakova
Frank Bridge Allegro appassionato Maxim Rysanov, viola Evelyn Chang, piano From Works for Viola and Piano – Brahms/ Bridge/ Enescu/ Franck/ Glinka/ Tabakova (2007) Released by Avie Records Frank Bridge: Allegro appassionatoMaxim Rysanov is re-defining the art of viola playing
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Music and Religion:
Long Live the Queen!
If you were hoping to read an article on a particular female monarch, I must disappoint you, because the title refers to the pipe organ, famously called the “Queen of Instruments” by the French composer and writer Guillaume de Machaut.
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Thea Musgrave – Chamber works for Oboe
Night Windows Loneliness Nicholas Daniel, oboe From Thea Musgrave – Chamber works for Oboe (2013) Released by Harmonia Mundi Musgrave: Night Windows – LonelinessRich and powerful musical language and a strong sense of drama have made Scottish-American composer Thea Musgrave
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Verdi’s Footstool
Imagine writing sixty operas over a period of fifty years, and having them performed to great acclaim at the most important opera houses of Europe. Yet the only thing history actually remembers are the infamous words by Amintore Galli, who
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