January, 2012

18 Posts
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John Ireland: Piano Concerto
Piano concerto in E flat major – Allegretto giocoso John Lenehan, piano Royal Liverpool Philharmonic Orchestra John Wilson, conductor From John Ireland: Piano Concerto (2011) Released by Naxos John Ireland: Piano concerto in E flat major – Allegretto giocoso John
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Interlude is two years old!
And it has been two wonderful and exciting years for me. Through Interlude, I have met outstanding musicians, learned the fascinating history of talented composers and discovered inspiring new pieces. My knowledge and appreciation not just for music, but for
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Granados Goyescas Valses Poéticos
El Fandango de candil Luis Fernandos Pérez, piano From Granados Goyescas Valses Poéticos (2011) Released by Harmonia Mundi Granados: El Fandango de candil The Goyescas of Enrique Granados, inspired by the Madrid of Goya’s time which the painter immortalised with
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Antonio Poli
Future projects of young Italian tenor Antonio Poli include 2012 concerts with operatic arias in Hamburg, Frankfurt and Zurich, as well as Mozart’s “Requiem” conducted by Antonio Pappano in Rome, Mercadante’s “I due Figaro” at Teatro Real in Madrid conducted
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Danubian Debauchery II
(Like Father, like Son)
Johann Strauss II, Olga Smirnitskaya and Henrietta “Jetty” Treffz
Johann Strauss II Abschied von St. Petersburg (1858) An der schonen, blauen Donau (The Beautiful Blue Danube), Op. 314 (1867) Die Fledermaus (1874) I am not entirely sure who coined the saying “like father, like son”, but they certainly could
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The Baroque Era – The Golden Age of the Organ
The Reformation and Counterreformation of the 16th and 17th centuries had a decisive impact not only on the architecture of the time, moving from the harmony and balance of the Renaissance to the painted heavens, extreme ornamentation and disturbance captured
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Bach Cantatas
J.S. Bach Liebster Gott, wenn werd ich sterben, BWV 8 (1724) A recent poll of Classical music buyers by the BPI (The British Recorded Music Industry) returned an interesting answer: that the favourite composer of an overwhelming majority was Johann
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A Week In the Life
Non-musicians (civilians we call them) like to get behind the scenes. Sometimes they ask questions that surprise us, such as: “You play for a living — do they pay you for that?” or “What’s your day job?” or one I
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