July, 2011

21 Posts
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Li-Wei Qin
“Li-Wei is the most gifted young cellist I have heard. Aside from an extraordinary technical fluency, he has a musical intelligence and sensitivity which is breathtaking both for its maturity and profound vision” – Paul Cutts, The Strad “Li-Wei is
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The Classical Age in Music and the Arts
In the middle of the 18th century the last shadows of the Baroque faded into the more intimate, colorful and pastoral Rococo period. All of the art forms, particularly those in painting and music, emphasize the “artificial” disguised as the
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Quintet of Discontent
César Franck and Augusta Holmès
The actress Madam Félicité Saillot Desmousseaux, better remembered as the dutiful wife of César Franck (1822-1890), greeted the arrival of her husband’s Piano Quintet in F minor with public condemnation, fiery scorn and a deeply professed hatred. Surprisingly, the same
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About Georg Predota
For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah
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Alexandre Tharaud – Scarlatti: Sonatas
Alexandre Tharaud – Scarlatti: Sonatas Scarlatti: Sonata K29 in D major (Presto) One of the most mesmerising interpretations of Scarlatti.
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Alexandre Tharaud – Scarlatti: Sonatas
Sonata K29 in D major (Presto) Alexandre Tharaud, piano From Alexandre Tharaud – Scarlatti: Sonatas (2011) Released by Virgin Classics Scarlatti: Sonata K29 in D major (Presto) One of the most mesmerising interpretations of Scarlatti. Official website
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I see Jenny Lee (李嘉盈)
When Juliette the editor asked me to write something about myself, I felt both flattered and troubled. As a radio presenter, I have interviewed more than 400 artists, from local to international, from prodigies to established personalities. It is very
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Pinnock’s smile: baroque music at its best
There is an illuminating – if difficult to verify – account that, during the French Revolution, the harpsichords of the Paris Conservatoire were dismantled and used for firewood. Such stories are, sadly, recurring themes in times of instability: proud intellectuals
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